Alan Watt & Thomas Sheridan on the Music Industry & Culture Creation

The music industry is nothing like what is imagined (and pretended to) by the public.

https://www.youtube.com/watch?v=pS1BxV-lxUo

 

 

Alan Watt and Thomas Sheridan are both authors and speakers known for their perspectives on topics related to culture, media, and psychology. While they have addressed the music industry and the concept of “culture creation” in their work, their viewpoints may differ in emphasis and interpretation. Here’s a general overview of their perspectives:

1. **Alan Watt**: Alan Watt, not to be confused with the Scottish philosopher of the same name, is known for his research on geopolitics, symbolism, and the manipulation of culture and consciousness by elite interests. In his lectures and writings, Watt explores how mass media, including music, movies, and advertising, are used as tools for social engineering and mind control. He suggests that the entertainment industry, including the music industry, is controlled by a small group of elites who use symbols, archetypes, and narratives to shape public perceptions and behavior.

2. **Thomas Sheridan**: Thomas Sheridan is an artist, writer, and researcher who has written extensively about psychopathy, corporate psychopathy, and the manipulation of society by pathological individuals and institutions. In his work, Sheridan explores how mainstream culture, including popular music and celebrity culture, can be used to perpetuate harmful ideologies and behaviors. He argues that the music industry, in particular, promotes superficiality, materialism, and narcissism, contributing to societal dysfunction and the erosion of authentic human values.

While both Alan Watt and Thomas Sheridan share concerns about the influence of the music industry and mass media on culture and consciousness, their approaches and perspectives may vary. Watt’s focus tends to be more on the geopolitical and occult aspects of culture creation, while Sheridan’s work emphasizes the psychological and social dynamics at play. Both authors offer alternative viewpoints that encourage critical thinking and reflection on the role of media and culture in shaping individual and collective identities.

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