Geometry and Music of Stone Circles
Marke detailed his latest research on the musical principles that are evident in the geometry of stone circles, as based upon the research of Alexander Thom. In two stone circles, Borrowstone Rig and Moel-ty-Uchaf, the ‘foot’ is the principle measure used by the designers and, since the foot relates directly to the diatonic scale in music, by analysing the dimensions in feet, the musical proportions of these two circles is revealed and hence their function as musical resonators.
Author of Gematria, Marke detailed his latest research on the musical principles that are evident in the geometry of stone circles, as based upon the research of Alexander Thom. In two stone circles, Borrowstone Rig and Moel-ty-Uchaf, the ‘foot’ is the principle measure used by the designers and, since the foot relates directly to the diatonic scale in music, by analysing the dimensions in feet, the musical proportions of these two circles is revealed and hence their function as musical resonators.
Marke Pawson is a British artist, writer, and researcher known for his work exploring the intersections of geometry, archaeology, and spirituality, particularly in relation to ancient monuments such as stone circles. His presentation on the “Geometry and Music of Stone Circles” likely delves into the geometric and acoustic properties of these prehistoric structures and their potential significance in ancient cultures.
Stone circles, found in various parts of the world including Europe, Africa, and Asia, are megalithic monuments consisting of upright stones arranged in a circular formation. These structures are believed to have served diverse purposes in ancient societies, ranging from astronomical observatories and calendars to ritual or ceremonial sites.
Pawson’s presentation may touch upon several key themes:
1. Geometry: Stone circles often exhibit precise geometric alignments and proportions, suggesting sophisticated knowledge of geometry among their builders. Pawson may explore the geometric principles underlying the design and construction of these monuments, including the use of sacred geometry and mathematical ratios.
2. Acoustics: Some researchers have proposed that stone circles possess unique acoustic properties, such as amplification or resonance of sound waves. Pawson may investigate the acoustic phenomena associated with these structures, including the potential for sound manipulation or ritualistic use of sound within the circle.
3. Symbolism and Ritual: Stone circles are imbued with symbolic and ritualistic significance in many cultures, representing connections to the natural world, ancestral spirits, or celestial forces. Pawson may examine the cultural contexts and spiritual beliefs surrounding stone circles, as well as their role in ancient rituals, ceremonies, and cosmological beliefs.
4. Archaeoastronomy: Many stone circles are aligned with significant astronomical events, such as solstices, equinoxes, and lunar phases. Pawson may discuss the astronomical alignments of stone circles and their implications for understanding ancient astronomical knowledge and practices.
Overall, Pawson’s presentation likely offers a multidisciplinary exploration of stone circles, drawing on insights from archaeology, anthropology, geometry, acoustics, and spirituality. By examining the geometry and music of stone circles, Pawson invites audiences to consider the rich cultural heritage and scientific mysteries surrounding these enigmatic ancient monuments.