Guitar Preamp Tone Explained by Phil Taylor For images and entire article: http://www.effectrode.com/blackbird-vacuum-tube-preamp/guitar-preamp-tone-explained/ During the research and development of the ‘Blackbird’ vacuum tube preamp I undertook a thorough investigation into tube preamp circuits in a quest to discover just what factors are important in creating great guitar tone. The following article is a result of … Read more
We currently offer two models of mobile tube amp — the more expensive BaM235, and the less expensive Liquid. Both are class A input and driver stages, with push-pull, class AB1 output stage. — Milbert, the Most Musical Amplifiers “Continuing engineering” generally seems to try to get more (or at least the same) for less, … Read more
In this guitar lesson I go over everything you need to know about setting your intonation on any guitar. It works for hard tails, tune o matics, floyd rose, all bridges. You will use this information for the rest of the time you play on your gibson, fender, Ibanez, or any guitar. https://www.youtube.com/watch?v=3phxqPP9UTU
In this video I debunk that the nut and bridge lose their independent resonant frequency when attached to the guitar, and become part of the guitar bodies and neck. I also prove that a guitar’s body and neck have multiple resonant frequencies. tone wood can only exist if a body has a very narrow window … Read more
I got a friend and incredible guitarist, Nadav Tabak, to do a little video clip of my 3D printed guitars in action in a range of different styles of music, and showing off some of the different designs. The clip goes through chords, finger picking, funk, blues, heavy rock, progressive, and alternative rock. The bodies … Read more
Here are some possible reasons. There are differing theories, thoughts; apparently, some people honestly can not hear the difference. But, some can. The purpose and goal of semiconductors was always primarily cheapness (to make and operate) and also high-frequency operation — sound quality was never a goal or purpose. If but at a microscopic level, … Read more
“…the perception of musical pitch at high frequencies is not constrained by temporal phase locking in the auditory nerve but may instead stem from higher-level constraints shaped by prior exposure to harmonic sounds.” Humans’ ability to recognize musical melodies is generally limited to pure-tone frequencies below 4 or 5 kHz. This limit coincides with the … Read more
Claudia Fritz, Joseph Curtin, Jacques Poitevineau, Hugues Borsarello, Indiana Wollman, Fan-Chia Tao, and Thierry Ghasarossian PNAS 2014 111 (20) 7224-7229; published ahead of print April 7, 2014, http://www.pnas.org/content/111/20/7224.full.pdf+html
“…the fundamental premise of tonal superiority has not yet been properly investigated.” http://www.pnas.org/search?fulltext=violi n&submit=yes&x=0&y=0 http://www.pnas.org/content/109/3/760.a bstract ABSTRACT Most violinists believe that instruments by Stradivari and Guarneri “del Gesu” are tonally superior to other violins–and to new violins in particular. Many mechanical and acoustical factors have been proposed to account for this superiority; however, the fundamental premise of … Read more
When you subtract a mp3 file from its comparatively uncompressed origin, the result is surprisingly musical. It is shocking how much information is lost between original and digitally-compressed mp3.
