In this video I debunk that the nut and bridge lose their independent resonant frequency when attached to the guitar, and become part of the guitar bodies and neck. I also prove that a guitar’s body and neck have multiple resonant frequencies. tone wood can only exist if a body has a very narrow window of resonant frequencies, this video proves they do not.
https://www.youtube.com/watch?v=Ehgl-AeDPkQ
The concept of tonewood, or the idea that the wood used in constructing musical instruments significantly influences their sound, particularly for stringed instruments like guitars and violins, has been a topic of debate and myth in the music community. While some musicians and luthiers swear by the importance of tonewood selection, others argue that its impact on sound quality is minimal or even negligible.
Here are some common myths associated with tonewood and resonant frequencies, along with explanations debunking them:
1. **Myth: Specific types of wood have inherent tonal characteristics**: One common misconception is that certain types of wood, such as spruce or maple, inherently produce better or worse sound qualities in musical instruments. While different woods may have varying densities, grain patterns, and acoustic properties, the impact of these factors on the overall sound of an instrument is complex and multifaceted. The design, construction, and setup of the instrument, as well as the skill of the player, play significant roles in shaping its sound.
2. **Myth: Resonant frequency determines sound quality**: Another myth is that the resonant frequency of a piece of wood is the primary determinant of its suitability for use in musical instruments. While resonant frequency can provide some information about a wood’s acoustic properties, it is just one factor among many that influence an instrument’s sound. Other factors, such as damping characteristics, stiffness, and internal damping, also contribute to the overall tonal characteristics of the instrument.
3. **Myth: Exotic or rare woods produce superior sound**: There is a belief among some musicians that using exotic or rare woods in instrument construction automatically results in superior sound quality. However, scientific studies and blind listening tests have shown that the choice of wood alone does not guarantee better sound. Factors such as craftsmanship, design, and setup have a more significant impact on sound quality than the rarity or costliness of the wood.
4. **Myth: Older wood produces better sound**: Some people believe that aged or “seasoned” wood produces superior sound compared to newly harvested wood. While it is true that wood can undergo physical and chemical changes over time, including changes in density and moisture content, the influence of aging on sound quality is not straightforward. New wood properly treated and seasoned can produce excellent results, and the age of the wood alone does not determine its suitability for instrument construction.
In summary, while tonewood selection and resonant frequency are factors to consider in instrument construction, their impact on sound quality is often overstated or misunderstood. The overall sound of an instrument is influenced by a combination of factors, including design, craftsmanship, setup, and player technique, making it essential to approach the topic of tonewood with a critical and informed perspective.