Mark Devlin is a British DJ, author, and public speaker known for his work in exploring conspiracy theories and hidden agendas in the music industry. In his book titled “Musical Truth,” as well as in various interviews, presentations, and online content, Devlin discusses what he refers to as “The Great 20th Century Music Con.”
According to Devlin, “The Great 20th Century Music Con” is the idea that the music industry has been manipulated and controlled by powerful interests for decades. Devlin suggests that behind the façade of the music business lies a network of secret societies, occult influences, and agendas aimed at shaping culture, influencing behavior, and controlling the masses.
Some of the key points that Devlin raises in his exploration of “The Great 20th Century Music Con” include:
- Mind Control and Social Engineering: Devlin argues that the music industry has been used as a tool for mind control and social engineering, with artists and songs carefully crafted to influence public opinion, behavior, and values. He suggests that certain genres, themes, and messages in music have been deliberately promoted to serve hidden agendas.
- Occult Symbolism and Rituals: Devlin highlights the presence of occult symbolism, rituals, and themes in music videos, album covers, and live performances. He suggests that these symbols are used to communicate hidden messages, invoke specific energies, and manipulate the subconscious minds of listeners.
- Industry Manipulation and Exploitation: Devlin discusses the manipulation and exploitation of artists by the music industry, including issues such as contractual agreements, censorship, media manipulation, and the suppression of dissenting voices. He suggests that many artists are unwitting pawns in a larger game controlled by powerful interests.
- Awakening and Empowerment: Despite the dark and sinister aspects of his analysis, Devlin also emphasizes the potential for awakening and empowerment through awareness of the hidden agendas in the music industry. He encourages listeners to critically analyze the music they consume, question the narratives presented by mainstream media, and seek out alternative sources of information and inspiration.
Overall, “The Great 20th Century Music Con” represents Devlin’s perspective on the hidden forces at play in the music industry and their broader implications for society. While his ideas may be controversial and speculative to some, they reflect a larger conversation about the influence of media, culture, and power in shaping our world.