Analog to Digital and Back Again — “Debunking” the Digital Audio Myth: The Truth About the ‘Stair-Step’ Effect — Or does phase and transient response in fact matter to fidelity?
Does phase and transient response in fact matter to fidelity?
Does phase and transient response in fact matter to fidelity?
How the human ear works – Science of hearing for musicians
Monaural not binaural beat-frequency mixing is found superior
How does a 15 kHz sine-wave sound so remarkably different from 15 kHz square-wave
Functional anatomy of musical processing in listeners with absolute pitch and relative pitch
How the Human Ear Works
Fallacy of Limited Bandwidth in Guitar Amplification
Fear across the senses Brain responses to music vocalizations and facial expressions
Musical rhythm spectra from Bach to Joplin obey a 1 over F power law
Contribution of active hair-bundle motility to nonlinear amplification in the mammalian cochlea
Simplified Model to Demonstrate the Energy Flow and Formation of Traveling Waves similar to those found in Cochlea
The basis of musical consonance as revealed by congenital amusia
Sight over sound in the judgment of music performance
Long term music training tunes how the brain temporally binds signals from multiple senses
Soloist evaluations of six Old Italian and six new violins Claudia Fritz, Joseph Curtin, Jacques Poitevineau, Hugues Borsarello, Indiana Wollman, Fan-Chia Tao, and Thierry Ghasarossian PNAS 2014 111 (20) 7224-7229; published ahead of print April 7, 2014, http://www.pnas.org/content/111/20/7224.full.pdf+html “Soloist evaluations of six Old Italian and six new violins” conducted by Claudia Fritz, Joseph Curtin, Jacques … Read more