Goodness comes to those who vibrate
Unworthy critics. Vapid opinions. Trite comments. Useless noise. Has NYT content become (or was all along?) monkey-see / monkey-do? Beato observation/summary: “So, songwriting, is not the best example of songwriting…” LOL: “Cork sniffers” It sounds like a lot of double talk with no substance. It’s some sort of SNL sketch. This is the total personification … Read more
“People want to hear dissonances.” Dissonance = emotion. Haunting tones. Surprise notes. Transcript
Jazz Fusion Trio Covers The Police on the spot (ft. Hadrien Feraud) King of Pain What happens when Hadrien Feraud, Cory Henry, and Ronald Bruner Jr. take on a Police tune—and flip it into a brand-new arrangement on the spot? Ian and Scott watch in awe as the trio crack the harmony, lock in the … Read more
Stewart Copeland Hears Limp Bizkit For The First Time
Session Playing Impromptu Charting Sight Reading Kenny Aronoff Hears Yes For The First Time Step inside the mind of Kenny Aronoff as he takes on “Changes” by Yes. Watch him hear the song for the first time and dive straight into playing along. How does he craft a drum part on the spot? Hit play … Read more
Startling Absence of Dynamic Dimension diminishes Musicality – “…compressed and less expressive.”
Time Drum and Music Universals
Music will get worse
Why The Major Scale Is So Important
Playing a Song Backwards as Muse to Writing Another – Barack Obama’s mantra YES WE CAN reverses distinctly to THANK YOU SATAN
Music as a Language
