tone
Vesica Piscis and 432Hz
Vesica Piscis and 432Hz
Practice Does Not Make Perfect – No Causal Effect of Music Practice on Music Ability
No Causal Effect of Music Practice on Music Ability
Regarding why semiconductors inherently sound unpleasant when used at audio frequencies
Regarding why semiconductors inherently sound unpleasant when used at audio frequencies
Tri Vesica Piscis and the 432Hz Tone: Nature’s sublime convergence
Tri Vesica Piscis and the 432Hz Tone
Golem Cymatics Bringing matter to life with sound
Golem Cymatics Bringing matter to life with sound
Affective constraints on acquisition of musical concepts: Childrens and adults development of the major-minor distinction
Affective constraints on acquisition of musical concepts
Evolution of Music by Public Choice
Evolution of Music by Public Choice
Sight over sound in the judgment of music performance
Sight over sound in the judgment of music performance
Pitch perception beyond the traditional existence region of pitch
“…the perception of musical pitch at high frequencies is not constrained by temporal phase locking in the auditory nerve but may instead stem from higher-level constraints shaped by prior exposure to harmonic sounds.” Humans’ ability to recognize musical melodies is generally limited to pure-tone frequencies below 4 or 5 kHz. This limit coincides with the … Read more
Soloist evaluations of six Old Italian and six new violins
Claudia Fritz, Joseph Curtin, Jacques Poitevineau, Hugues Borsarello, Indiana Wollman, Fan-Chia Tao, and Thierry Ghasarossian PNAS 2014 111 (20) 7224-7229; published ahead of print April 7, 2014, http://www.pnas.org/content/111/20/7224.full.pdf+html “Soloist evaluations of six Old Italian and six new violins” conducted by Claudia Fritz, Joseph Curtin, Jacques Poitevineau, and Fan-Chia Tao. This research was published in the … Read more
In blind test, soloists like new violins over old
“…the fundamental premise of tonal superiority has not yet been properly investigated.” http://www.pnas.org/search?fulltext=violi n&submit=yes&x=0&y=0 http://www.pnas.org/content/109/3/760.a bstract ABSTRACT Most violinists believe that instruments by Stradivari and Guarneri “del Gesu” are tonally superior to other violins–and to new violins in particular. Many mechanical and acoustical factors have been proposed to account for this superiority; however, the fundamental premise of … Read more
Why do they make the bass strings wound in the first place?
Increased mass. ————- Scott Wallace Bass strings are wound to make them heavier but still remain elastic. Plain metal (or nylon, or gut) strings don’t sound good in the bass. —————- Brian Coverstone There are three things that change the pitch of the string. The string thickness, the length, and the tightness. When you tune … Read more
Forgotten In Time: The Ancient Solfeggio Frequencies
Forgotten in Time: The Ancient Solfeggio Frequencies – “Forgotten In Time: The Ancient Solfeggio Frequencies” is a title often associated with a concept in alternative healing and esoteric spirituality. It refers to the idea that certain specific sound frequencies, known as the Solfeggio frequencies, have ancient origins and possess healing properties.